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SOLD OUT!Oil on canvas 120cm x 90cm In slip frame, ready to hang. €3,750.00
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SOLD OUT!Oil on Canvas, 120cm x 100cm in slip frame. €3950.00
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SOLD OUT!Oil on canvas 140cm x 74cm In slip frame ready to hang This painting typifies much of the push and pull at play in my work and could equally be called ‘Holding On & Letting Go’. It was painted over the course of a year in many layers – this painting and I had something of a long loose dance before we capitulated towards each other. Lands Edge is to my mind about standing your ground – staying within the magic limitlessness of imagination – and not getting sucked into the nonsensical void. Out beyond the churning chaos there is magic. You don’t always have to see it – but you must always believe in it, for as Roald Dahl said ‘only those who believe in magic will find it’.
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SOLD OUT!Oil on canvas 112cm x 112cm In slip frame, ready to hang. €4,450.00 Spike Island was once a remote monastery, a fortress and the world’s largest prison! 'The Idea of an Island' collection attempts to present the contrast of what is potentially an idyll and a place of pain and suffering. The palette in these paintings is itself a contrast – a mix from cheery pinks to a spectrum of blacks. ‘Fools Rush In’ was made during the Covid isolation and draws on the idyll of the sea – it’s spectacular beauty which can be so comforting – but also it’s inherent power and danger. One of the first things I did post-lockdown was to swim in the sea – it was freezing but full of freedom! ‘Fools Rush In’ I hope illustrates life’s contrasts – how nothing is ever completely lost or indeed perfect – but made up of a series of magnificent moments. The present happening over and over again.
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SOLD OUT!This large piece captures my 'love at first sight' impressions of the Kerry Bogs. It was painted in-situ in the middle of the bog at Emloughmore. I painted it in a tee-shirt on a bright January day – my birthday – it was my first BIG painting and truly felt like a gift. Mixed media on canvas 148cm X 104cm
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I made this piece over an Easter weekend in my studio. I wasn't entirely sure what I would paint but I had recently returned from a residency in Kerry and the view of the ancient famine village at dusk, with smoke billowing from the little chimneys haunted me and found its way into the work. The famine village is located at Cill Rialaig on Bolus Head, on the last road out of Ireland. The location has been central to much of my work here in Ireland. Residencies here provided an essential time and space to immerse myself in the landscape and it's history - so that I might respond to and develop a sort of language of the land. mixed media on canvas 148cm X 104cm
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SOLD OUT!Oil on canvas 120cm x 120cm In slip frame, ready to hang. At a young(-er!) and (more!) impressionable age, I read May Sarton's A Journal of a Solitude. I remember being floored by the line 'Hope, but for what?'. The lack of hope or vision or joie de vivre struck me as utterly sad and terrifying too. I have known the feelings of being rudderless and at times been terribly lost. I think that is part of the human experience. Many of us anticipated the recent Covid quiet period with dread - it smacked of 'the end is nigh' and yet on the other side of it, many of us feel renewed and are facing forwards with some hope. And we are certain what we are hoping for. On the other side of solitude, I think the things we are hoping and hopeful for are not 'things' - there is a communion in that too. It reminds me of the words of another great writer, Mary Oliver:
'Whoever you are, no matter how lonely,
The world offers itself to your imagination
calls to you like the wild geese, harsh and exciting -
over and over announcing your place in the family of things.
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SOLD OUT!Oil on canvas 5ft x 5ft (152cm x 152cm) In slip frame, ready to hang.
“And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”
- Anais Nin -
When I visited Spike Island, I was struck by how stunningly beautiful it is, how wild and yet how much grows there. It feels otherworldly - a strange edgy energy is pervasive. I couldn't help thinking about all the pilgrims, monks and prisoners who have passed through. The island's small surface area and it's situation make it impossible to forget you are on an island. I wondered were those temporary residents taunted by the lapping tide from the far shore. Many must have contemplated making a swim for it! It would require courage to leave and maybe another courage to stay. I think all of us in this quiet time have contemplated change - our personal precipice. For me making these big paintings is a personal jumping off point. When painting, I jot down notes - often a series of words - random ramblings and gems. For this Precipice - I noted:Resilience - Connectedness - Home - Belonging
I think all of us - pilgrims, prisoners and painters - maybe sing to the same tune. -
Oil on canvas 180cm x 120cm In slip frame ready to hang These larger paintings have been stirring inside me for the past few years. It has been a pleasure to see them finally come to fruition in the studio. I am forever saying my work is ‘holding on and letting go’ . There may be more robust, verbose words for my process but the practice of turning up, letting go of all my notions and hang ups and holding on for inspiration, flow and the good stuff (that feels to my mind like fire) is essentially how I find and harness inspiration. Begin to Hope feels like a line I am making by walking, beyond the fertile void, it is of itself spilling out into the world at large
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SOLD OUT!
Nocturne
Inspired by time fishing with my father on the Mayo Lakes, Nocturne is evocative of days ending and that very special light particular to the low sun on the lakes. I am a fair weather fisher but time on the lake with my Dad is nothing short of glorious. It is time out of time. Even though senses are accelerated with the cut and thrust of the boat traversing the waves, sideways rain and all the slip-slop sounds of water, reels and bird life – time feels somehow suspended. The experience is utterly elemental and yet really, very restful but stimulating. Beyond the shoreline, out on that horizon there is a promise of magic and reward. Great days - time well spent – the best currency – before the waves roll us back to shore and home. Oil On Canvas: 150cm x 150cm In Slip Frame Ready To Hang -
SOLD OUT!
A Turn For Grace
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Swansong