• Tidal Sensations

    1,295.00
    Oil on canvas 60cm x 60cm In slip frame ready to hang
  • Oil on canvas 100cm x 70cm Ready to hang in slip frame

     

  • Tide Lines

    745.00
    Oil on canvas 36cm x 47cm In slip frame, ready to hang. €745.00 It is said there are no lines in nature - and yet - the tide lines on the shoreline mark the sea's  inhalations and exhalations.  If ever I need to settle my mind, I take it down to the sea where the tides eases my freeflow and scattered thoughts - soon my breath keeps time with the tide and my thoughts harmonize - or dissipate. Perhaps it is more true to say there are no straight lines in nature - as in life.  
  • Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame Valentia Island - as a location - had a pivotal and pioneering role in transatlantic communications. I find walking alone the shoreline and swimming very inspiring - it so often translates into my work. While I find abundance in the waves, it makes me think Marconi must have had a magic, marvelous mind to see so much potential beyond those waves.
  • Oil on canvas 45cm x 35cm Ready to hang in slip frame I was lucky to spend many of my childhood Summers in Wexford. This past Summer I spent a lovely week in Rosslare and was delighted to note the magic is still as magnificent when walking at low tide on moon lit nights.    
  • Oil on canvas 20cm x 20cm Ready to hang in slip frame

     

  • Windrush

    625.00
    Oil on canvas 46cm x 36cm Ready to hang in slip frame

     

  • 'Wonderland'

    Oil On Canvas: 160cm x 160cm In Slip Frame Ready To Hang To be full of future – dreams, plans, schemes and such – is a lovely, latent kind of energy. That’s how I felt when making this painting.  As a rookie artist I painted in a traditional context – working out in the landscape, making paintings in response to place. As my practice deepened, the response has become more intuitive. I’ve learned to trust myself and the work, and to understand (to paraphrase the late, great Mary Oliver) ‘My work is loving the world…, which is mostly standing still and learning to be astonished’.  Composition has taken on a more vital, vibrant quality – rather than thinking in terms of foreground, lines, proportions etc, making paintings now feels like composing music. It is beyond looking and seeing and involves a sort of deep cellular listening – to hear, but mostly feel the rhythm of nature.  My paintings are made with oils in many layers. Creating this big painting was a joy. Pregnant with possibility, it was in and of itself a wonderland. With every layer it seemed to unfold, evolve and reveal itself to me. Often painting feels like magic - a particular kind of alchemy. It fills me with wonder and a special energy – an illumination radiating from the inside out.
     

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