• Lacken Strand is one of those wide, open spaces that you can't hide from or in. It is, to my mind, one of the most enchanting places on the island of Ireland. In the vastness of the expanse of the scene you really can't escape or hide from the elements. While on retreat at the Ballinglen Artists' Foundation I took daily walks at Lacken. The weather was broody and moody even in mid-Summer. Oftentimes, it felt like four seasons in one walk but even in perpetual motion there is always order in the natural world.   Oil on Canvas 45cm x 35cm in Slip Frame
  • 'The Big Sky' collection was inspired by a residency at The Ballinglen Arts Foundation in North Mayo. During the 6-wk residency, I spent a LOT of time walking by the sea. There is - for me - a conflict between being inside and outside the studio. -  I always want to be working. Of course, in this instance walking is working.  The constancy of the tides is so calming and invariably that made it's way in to this new, looser work. As did a lightness of touch (and spirit!) also manifested in the pink and peaches of the landscape. It was time well spent: Time in wide open spaces = cardiac care.   Oil on Canvas 35cm x 45cm in Slip Frame
  • 'Soft Day, Lough Mask' is a pet painting of mine, small in stature, it speaks volumes about 'My' Mayo - a misty place, often inclined to rain. It took me a while to know the place, but once it got hold of me, it was inside me forever. It takes me all 5 senses to paint Lough Mask  - it is heart work too, bound up in memory and tradition. There is no other way to paint, really. And even when trying to paint from a boat or from the Lough Shore in the squalliest of weather, I realise in Mayo they are all soft days.   Oil on canvas 15cm x 20cm in floated frame
  • I made this piece over an Easter weekend in my studio. I wasn't entirely sure what I would paint but I had recently returned from a residency in Kerry and the view of the ancient famine village at dusk, with smoke billowing from the little chimneys haunted me and found its way into the work. The famine village is located at Cill Rialaig on Bolus Head, on the last road out of Ireland. The location has been central to much of my work here in Ireland. Residencies here provided an essential time and space to immerse myself in the landscape and it's history - so that I might respond to and develop a sort of language of the land. mixed media on canvas 148cm X 104cm
  • This large piece captures my 'love at first sight' impressions of the Kerry Bogs. It was painted in-situ in the middle of the bog at Emloughmore. I painted it in a tee-shirt on a bright January day – my birthday – it was my first BIG painting and truly felt like a gift. Mixed media on canvas 148cm X 104cm
  • One of the last paintings from my Mayo Lakes series, 'Memory Onmiscent, Time Intangible' was made during a residency on the shore of Lough Carra. My aim was to document the landscape, the lakes themselves and the indigenous entemology but the work evolved to include an inner landscape, documenting feelings about place, memory, family, the passage of time and how nature  can bridge the gap between generations.   Oil on Canvas 20cm X 15cm in floated frame
  • Oil on Canvas, 120cm x 100cm in slip frame. €3950.00
  • I made this painting after spending time in residency on Westport Pier. There was something about the comings and the goings on the pier that seemed determined but ancient in origin. The onland cargo was a mixed bag of folks earnestly aiming to climb The Reek, locals going about their daily lives and visitors - many who were endevouring to retrace the steps of ancestors who had set off from here. The small boats setting out in Clew Bay by contrast, seemed resigned to the winds.   Mixed media on canvas 40cm x 40cm in slip frame ready to hang

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