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SOLD OUT!Oil on canvas 100cm x 120cm Ready to hang in slip frame
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'In West Clare' (We are Eternal)
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame
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SOLD OUT!Oil on Board 35cm x 30cm In slip frame ready to hang
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SOLD OUT!Oil on canvas 40cm x 40cm In slip frame, ready to hang. €795.00
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‘Tis (All before us)'
Oil on Canvas,
180cm x 120cm
‘Tis – the west of Ireland abbreviation of ‘it is’ is a term I love to hear. The softness of it fills me with affection.
‘Tis was also the title of Frank McCourt’s second memoir. Following on from his best-selling ‘Angela’s Ashes’which portrayed the bleakness of Ireland in the earlier half of the last century.
While we still enjoy significant rain fall, Ireland of today is vibrant. In spite of challenges economic and social, we are as a people – I feel, forward looking. And our landscape is abundant – it holds and inspires us all.
‘Tis’– this painting, is about looking forward. It was made in many, many layers and gave its own set of challenges. When composing a painting, I am not looking for likeness but sensation – the feeling of coming home or being home. Place is important but not in a geo map specific way. I am creating sense of place.
Just as happiness is never truly a thing but more a feeling. I am endeavouring to evoke that feeling when you round the Irish coastline and the views, as Seamus Heaney so beautifully set the scene in his poem Postscript “.. catch the heart off guard and blow it open”.
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SOLD OUT!I often say my work is best described as holding on and letting go. Letting go of all the doubt, fear and notions and holding on for the good stuff to come through. This painting was years in the making – it just wouldn’t quit! I turned it to the wall for a while and then, one evening, it sort of painted itself. It was a time when I was attempting to close out my Mayo Lakes series but they kept turning up on the canvas. This is a sort of swan-song to my Mayo Lakes series, bridging the gap to The Big Sky collection that followed. It is, I think, about devotion – redemption and renewal –about new beginnings and moving on to new, ancient landscapes. Oil on canvas 100cm x 75cm in slip frame
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame The back strand at Lacken in North Mayo is one of the most breath-taking places I have ever been. It's wide and long and surrounded by huge, high dunes. In the early part of the year, a breeze blows directly across the beach creating gentle gusts of sand - it feels otherworldly and a bit magical - as if for a few moments you are suspended between worlds, neither holding on or letting go.
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SOLD OUT!While on residency at The Ballinglen Artists Foundation, I walked a lot on Lacken Strand. In 6-weeks I only ever met 2 other people on the lovely, long strand. During these walks, ideas would percolate - some good, some bad. It's hard to know in the solitude of a retreat if you're on the right track or veering off down (another) blind alley but the constancy of contemplation on these walks helped to refine the body of work that is 'The Big Sky' . Most times on these walks I would document those thoughts in a notebook and it is these ramblings - thoughts and tangents - that underpin this love letter to the world from Lacken. Oil on Canvas 45cm x 35cm in Slip Frame
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SOLD OUT!Oil on canvas 100cm x 70cm SOLD Painted in a series of breathy layers, ‘A Second Coming – In Ciarraí’ was made while on residency in Cill Rialaig, in Kerry. It commemorates the life of a friend. My residency was in January when the world seemed slowly to begin again. From high up on Bolus Head during those short, moist days, I wondered how do we distinguish time and mark out days. Indeed, how do we capture the essence of a life – but in breaths. And so this painting was made slowly in lots of very loose layers. I wanted to paint like breath on glass – similar to the way weather, hovering between sea and sky, makes a ghostly impression over The Skelligs. The painting became a sum of it’s parts – lots of light layers which, when combined attempt to capture the essence of light and a life.
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame This painting is another song of praise, an ode to the sea as it renews, invigorates and keeps us buoyant - leading us homewards.
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A Turn For Grace
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SOLD OUT!Oil on canvas 100cm x 70cm Ready to hang in slip frame
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SOLD OUT!Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame I am a fan of islands but despite having spent much of my painting time in Ciarraí, I have only recently started to document Valentia island. I love the sea-crossing - short as it is - and Bray Head, and the lapping water at ever side. I love too that you can go way, way high up and low down again into the sea. This is one of my first paintings from this place - it was made following a stormy Summers crossing.
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SOLD OUT!Oil on canvas 76cm x 51cm Ready to hang in slip frame Mayo has some magic places, DownPatrick Head being a case in point. It's the edge of Ireland and not for the faint-hearted. The sea lashes it for much of the time - making for dramatic sea spray and the foamiest, thundering current but then at other times it is all calm - like at day break when the sun steals its way in silence into the sky. The stormy times are not forgotten, but behind us now as we begin again.
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Oil on canvas 180cm x 120cm In slip frame ready to hang These larger paintings have been stirring inside me for the past few years. It has been a pleasure to see them finally come to fruition in the studio. I am forever saying my work is ‘holding on and letting go’ . There may be more robust, verbose words for my process but the practice of turning up, letting go of all my notions and hang ups and holding on for inspiration, flow and the good stuff (that feels to my mind like fire) is essentially how I find and harness inspiration. Begin to Hope feels like a line I am making by walking, beyond the fertile void, it is of itself spilling out into the world at large
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame While on a fellowship at The Ballinglen Arts Foundation at the beginning of this year, I used to walk the shoreline at sunset. Most usually I was alone on the beach with my thoughts and it was a lovely opportunity to exercise my mind and body. It occurred to me late on one of those evenings how the sea is so soothing - inhaling and exhaling in a rhythm as it does. Funny to get to my age before realising how the sea shows us how to breathe.
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SOLD OUT!Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame The sea adjoining Ciarraí can often catch colours of the tropics - turquoise and fizzy greens that don't quite match our inky skies. I have been greatly infleunced by Sorolla this past year - visiting his studio in Madrid and seeing his shows in London and Dublin. I wonder how he might have painted our sea - with all the drama but not so much sun, I imagine the Spaniard may have had much to say in paint.
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame There is a motion in the ocean that helps - I think - to move forwards out of 'stuckness' and onwards. The constancy of the sea and holding on and letting go are a constant theme for me.
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SOLD OUT!Oil on canvas 40cm x 40cm Ready to hang in slip frame Another of my happy places! This was painted in my studio but harks back to happy times close to the boglands in Ciarraí. It is, in recent years, a contentment to me to take inspiration out in the landscape before incorporating it into the rhythm of a studio schedule. For a long time, I felt perpetually on residency - out in some landscape or other, it was enchanting but often unsettling. Now a new studio rhythm feels an enhancement, an orderly way to tap into influences and mine memories.
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SOLD OUT!Oil on canvas (SOLD) 94cm x 69cm In slip frame, ready to hang. €2250.00 Inspired by the imagined longings of historical inhabitants of Spike Island. The tranquility and beauty of their setting, with the far shore still in site, must have been jarring to say the least. A constant taunt for liberty denied and life going on at pace just beyond them. For all the beauty of our surroundings, having peace in our hearts and minds is the prize.
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SOLD OUT!Dun Briste, a significant stack of land was sliced clean off Downpatrick Head hundreds of years ago. Folklore has it, that it was our own St. Patick who separated the land with his crozier in consternation with a non-believer who was slow to sign up. Regardless of the tall tales, the sight of that stack of land in the midst of the wild sea and contemplating the gap between the landmasses can't but move a body. The vastness of the scene is humbling but also an opportunity - a jumping off point - in which to make your own departure, your own interpretation of the landscape and life. Oil on Canvas 45cm x 35cm in Slip Frame
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SOLD OUT!I made this painting after spending time in residency on Westport Pier. There was something about the comings and the goings on the pier that seemed determined but ancient in origin. The onland cargo was a mixed bag of folks earnestly aiming to climb The Reek, locals going about their daily lives and visitors - many who were endevouring to retrace the steps of ancestors who had set off from here. The small boats setting out in Clew Bay by contrast, seemed resigned to the winds. Mixed media on canvas 40cm x 40cm in slip frame ready to hang
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SOLD OUT!Oil on canvas 25cm x 25cm Ready to hang in slip frame This painting was made in many layers and took me on a bit of a journey. It was inspired by Bic Runga's song - of the same title - Everything is beautiful and new. Listen to it HERE. The song was inspired by Bic's first-time motherhood - the enchantment, fragility and wonder of the new. It's appropriate to any journey - that is challenging, a personal stretch but ultimately a happy song.
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SOLD OUT!Lacken Strand is one of those wide, open spaces that you can't hide from or in. It is, to my mind, one of the most enchanting places on the island of Ireland. In the vastness of the expanse of the scene you really can't escape or hide from the elements. While on retreat at the Ballinglen Artists' Foundation I took daily walks at Lacken. The weather was broody and moody even in mid-Summer. Oftentimes, it felt like four seasons in one walk but even in perpetual motion there is always order in the natural world. Oil on Canvas 45cm x 35cm in Slip Frame
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Flume
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SOLD OUT!Oil on canvas 112cm x 112cm In slip frame, ready to hang. €4,450.00 Spike Island was once a remote monastery, a fortress and the world’s largest prison! 'The Idea of an Island' collection attempts to present the contrast of what is potentially an idyll and a place of pain and suffering. The palette in these paintings is itself a contrast – a mix from cheery pinks to a spectrum of blacks. ‘Fools Rush In’ was made during the Covid isolation and draws on the idyll of the sea – it’s spectacular beauty which can be so comforting – but also it’s inherent power and danger. One of the first things I did post-lockdown was to swim in the sea – it was freezing but full of freedom! ‘Fools Rush In’ I hope illustrates life’s contrasts – how nothing is ever completely lost or indeed perfect – but made up of a series of magnificent moments. The present happening over and over again.
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'From Valentia' (Above us only Sky)
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SOLD OUT!Oil on Canvas 61cm x 46cm In slip frame ready to hang This painting might appear a bit maverick in this collection but, as with them all, was painted in response to a time and place. In this case. The time being a VERY hot day in my studio. It began life as a demo (for my Abstracting the Landscape Online painting course) but as the layers progressed I realised it was harking back to a recent landscape I had visited. ‘Heatwave’ was painted at the tail end of the collection and the beginning of my next body of work, so it literally is the shape of things to come.
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame After many years traveling and living overseas. It is a constant comfort to feel 'at home' in Ireland. It is a place for my heart to rest.
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SOLD OUT!Oil on canvas 56cm x 51cm In slip frame ready to hang My mind gets a bit blown when I think about how the opposite end of the shoreline I am standing in, is washing someone else’s feet on the other side of the world. It is entirely mind-blowing but also enormously reassuring – as if to affirm that everything that lives is connected. The cyclical nature of tides, sun rise – sun set, seasons and the rhythms of our own biology all pre-date time itself and point to an innate knowingness and our ability to be harmonious – in sync – or at the very least community minded!.
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SOLD OUT!Oil on canvas 25cm x 25cm Ready to hang in slip frame Sometimes the littlest paintings have more than their fair share of magic. This one was painted in about 50 layers and I was just about to give up when it presented itself, like a secret kingdom - just beyond our imagination.
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SOLD OUT!Oil on board 30cm x 25cm In slip frame ready to hang Inspired by my recent solstice swim, It was the most beautiful evening on Garretstown strand. The sun cast the most glorious, long shadow but there were very few folks on the beach and scarcely anyone in the sea. Having the sea to myself was intensely pleasurable. Invigorating, it felt like washing off a season – I thought of Van Morrison’s ‘To be Born again’ – and understood the immersion to be a special baptism of sorts. I slept so well that night – dreaming I was cocooned in the arc of a wave.
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SOLD OUT!Oil on canvas 60cm x 60cm In slip frame, ready to hang. €1250.00 A meditation on solitude and connection. A wise man - Michael Kirby - who has been a great influence on my work, showed us that everything that lives is connected. While I'm more than fine being alone, the quiet time of lockdown reminded me how my inner life is nourished by my time out in the world. I am richer for connection, community and having a sense of place in the world - all of that helps me feel at home in myself!
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SOLD OUT!Oil on board 25cm x 20cm In slip frame ready to hang Over the years, I have always felt comfortable living on islands – which is no surprise given our Island home. Reading Tim Winton’s book of the same title brought home (ha!) to me the pure and tender qualities of island life. It frames our life and gives it context (on same and for context Winton’s Island home is Australia!) Most recently, I found myself on small islands in the middle of Lough Mask while fishing with my Dad. At ‘lunchtime’ we moor at one of the small islands - the sounds of the shore lapping, bird life, oars on water, reels spinning and yarns being spun by fishermen is a lovely backdrop to memories of that place and time. It is a place I feel very inspired by and at home.
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SOLD OUT!Oil on canvas 120cm x 120cm In slip frame, ready to hang. At a young(-er!) and (more!) impressionable age, I read May Sarton's A Journal of a Solitude. I remember being floored by the line 'Hope, but for what?'. The lack of hope or vision or joie de vivre struck me as utterly sad and terrifying too. I have known the feelings of being rudderless and at times been terribly lost. I think that is part of the human experience. Many of us anticipated the recent Covid quiet period with dread - it smacked of 'the end is nigh' and yet on the other side of it, many of us feel renewed and are facing forwards with some hope. And we are certain what we are hoping for. On the other side of solitude, I think the things we are hoping and hopeful for are not 'things' - there is a communion in that too. It reminds me of the words of another great writer, Mary Oliver:
'Whoever you are, no matter how lonely,
The world offers itself to your imagination
calls to you like the wild geese, harsh and exciting -
over and over announcing your place in the family of things.
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SOLD OUT!Oil on canvas 140cm x 74cm In slip frame ready to hang This painting typifies much of the push and pull at play in my work and could equally be called ‘Holding On & Letting Go’. It was painted over the course of a year in many layers – this painting and I had something of a long loose dance before we capitulated towards each other. Lands Edge is to my mind about standing your ground – staying within the magic limitlessness of imagination – and not getting sucked into the nonsensical void. Out beyond the churning chaos there is magic. You don’t always have to see it – but you must always believe in it, for as Roald Dahl said ‘only those who believe in magic will find it’.
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame This collection has felt very much like a bunch of songs of praise to the shoreline and the magic, renewable energy of nature. This was painted after listening to Jack Lukeman's song - Magic Days & Magic Ways - a really lovely, hopeful tune - listen to it HERE.
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One of the last paintings from my Mayo Lakes series, 'Memory Onmiscent, Time Intangible' was made during a residency on the shore of Lough Carra. My aim was to document the landscape, the lakes themselves and the indigenous entemology but the work evolved to include an inner landscape, documenting feelings about place, memory, family, the passage of time and how nature can bridge the gap between generations. Oil on Canvas 20cm X 15cm in floated frame
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SOLD OUT!Oil on canvas 40cm x 40cm In slip frame ready to hang I'm recently returned from a fishing trip with my Dad and our lovely friend John on Lough Mask. While I feel very at home in Partry – the very special village (populated by extra special people) where my Dad has visited annually for fishing for over 50 years. There is something about the stillness and perpetual motion of being in the boat, on the lake – a particular sensation of time and space that can only be explained as my home on the lake.
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Nocturne
Inspired by time fishing with my father on the Mayo Lakes, Nocturne is evocative of days ending and that very special light particular to the low sun on the lakes. I am a fair weather fisher but time on the lake with my Dad is nothing short of glorious. It is time out of time. Even though senses are accelerated with the cut and thrust of the boat traversing the waves, sideways rain and all the slip-slop sounds of water, reels and bird life – time feels somehow suspended. The experience is utterly elemental and yet really, very restful but stimulating. Beyond the shoreline, out on that horizon there is a promise of magic and reward. Great days - time well spent – the best currency – before the waves roll us back to shore and home. Oil On Canvas: 150cm x 150cm In Slip Frame Ready To Hang -
SOLD OUT!Oil on canvas 124cm x 112cm In slip frame, ready to hang. SOLD You have to keep your wits about you in the sea. Sinking or swimming are ultimate options. As a very recent - and occasional - sea swimmer, I love the immediacy of immersion. It's impossible to feel wishy washy about the sensations. 0.5 seconds after immersion you are fully alive - senses accelerated, at absoute optimum. Although I am in possession of a rambly mind - and prone to projecting forwards or harking backwards, I am a fan of being in in the moment. Sea swimming helps me be 'all in' and be fully alive one moment at a time.
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SOLD OUT!Oil on canvas 90cm x 90cm In slip frame, ready to hang. €2950.00 Silver Strand on Sherkin Island has a dreamy quality - it is a time and place. And it is time out of time. 'Holding On & Letting Go' is a theme that flows through my work. Inspiration is a feeling - sometimes fleeting - and sensations like how I felt at sunrise on Silver Strand are often like water in my hands. I hope this painting goes some way to capturing all of that.
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SOLD OUT!Oil on canvas 100cm x 70cm SOLD From ‘The Outliers’ collection, which marks ten years painting in Ireland, ‘On Solid Ground’ is a painting that is a reflection on and a distillation of 10 years of residencies and time out painting in Ireland. It was painted in my studio but brings together an amalgam of places that have bolstered, sustained and influenced my painting practice. In his book ‘The Outliers’, Malcolm Gladwell asserts that it takes 10,000 hours practise to master a skill. Some time during the past decade in Ireland, I have crossed over that threshold which has delivered me to this solid ground.
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SOLD OUT!This large piece captures my 'love at first sight' impressions of the Kerry Bogs. It was painted in-situ in the middle of the bog at Emloughmore. I painted it in a tee-shirt on a bright January day – my birthday – it was my first BIG painting and truly felt like a gift. Mixed media on canvas 148cm X 104cm
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SOLD OUT!Oil on canvas 90cm x 60cm In slip frame ready to hang I’m not good at remembering road no’s or indeed mountains names so I fondly refer to the mountains midway between my parents home and mine as – The In-betweeners! This painting was completed on a Monday morning following a lovely weekend at my folks. I had been a little ‘stuck’ with the painting but when driving home, across the country from my parents’ house the evening before, the answer was literally staring me in the face. A golden orb, the most glorious sunset guided me home. It’s more literal than my usual work but I liked it, so I’ve left it!
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SOLD OUT!Oil on canvas 45cm x 35cm Ready to hang in slip frame Oró, Oró was painted while on a painting fellowship at The Ballinglen Foundation in North Mayo. While walking along the shoreline in Ballycastle the tune deeply embedded in every Irish childhood psyche - 'Oró se do bheatha bhaile' - came free in my mind. It is traditionally a rallying call but always to my mind - conjured up the image of rowing across waves, homewards. It heralded (to me!) a new way of painting, that felt much like being on the crest of a wave with home in sight.
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SOLD OUT!Oil on canvas 100cm x 70cm Ready to hang in slip frame I made this painting while on a painting fellowship at The Ballinglen Artists Foundation in Ballycastle, Co Mayo. Dun Bristé - or the stack - is a tiny landmass just off Downpatrick Head. It’s a sanctuary for birds now but legend has it that the chunk of rock broke away from the mainland when St Patrick struck the earth with his stick in response to a naysayer who doubted his Christian doctrine! Either way it is striking and I love to paint it!