• I made this painting after spending time in residency on Westport Pier. There was something about the comings and the goings on the pier that seemed determined but ancient in origin. The onland cargo was a mixed bag of folks earnestly aiming to climb The Reek, locals going about their daily lives and visitors - many who were endevouring to retrace the steps of ancestors who had set off from here. The small boats setting out in Clew Bay by contrast, seemed resigned to the winds.   Mixed media on canvas 40cm x 40cm in slip frame ready to hang
  • Oil on Canvas, 120cm x 100cm in slip frame. €3950.00
  • One of the last paintings from my Mayo Lakes series, 'Memory Onmiscent, Time Intangible' was made during a residency on the shore of Lough Carra. My aim was to document the landscape, the lakes themselves and the indigenous entemology but the work evolved to include an inner landscape, documenting feelings about place, memory, family, the passage of time and how nature  can bridge the gap between generations.   Oil on Canvas 20cm X 15cm in floated frame
  • This large piece captures my 'love at first sight' impressions of the Kerry Bogs. It was painted in-situ in the middle of the bog at Emloughmore. I painted it in a tee-shirt on a bright January day – my birthday – it was my first BIG painting and truly felt like a gift. Mixed media on canvas 148cm X 104cm
  • I made this piece over an Easter weekend in my studio. I wasn't entirely sure what I would paint but I had recently returned from a residency in Kerry and the view of the ancient famine village at dusk, with smoke billowing from the little chimneys haunted me and found its way into the work. The famine village is located at Cill Rialaig on Bolus Head, on the last road out of Ireland. The location has been central to much of my work here in Ireland. Residencies here provided an essential time and space to immerse myself in the landscape and it's history - so that I might respond to and develop a sort of language of the land. mixed media on canvas 148cm X 104cm
  • 'Soft Day, Lough Mask' is a pet painting of mine, small in stature, it speaks volumes about 'My' Mayo - a misty place, often inclined to rain. It took me a while to know the place, but once it got hold of me, it was inside me forever. It takes me all 5 senses to paint Lough Mask  - it is heart work too, bound up in memory and tradition. There is no other way to paint, really. And even when trying to paint from a boat or from the Lough Shore in the squalliest of weather, I realise in Mayo they are all soft days.   Oil on canvas 15cm x 20cm in floated frame
  • 'The Big Sky' collection was inspired by a residency at The Ballinglen Arts Foundation in North Mayo. During the 6-wk residency, I spent a LOT of time walking by the sea. There is - for me - a conflict between being inside and outside the studio. -  I always want to be working. Of course, in this instance walking is working.  The constancy of the tides is so calming and invariably that made it's way in to this new, looser work. As did a lightness of touch (and spirit!) also manifested in the pink and peaches of the landscape. It was time well spent: Time in wide open spaces = cardiac care.   Oil on Canvas 35cm x 45cm in Slip Frame
  • Lacken Strand is one of those wide, open spaces that you can't hide from or in. It is, to my mind, one of the most enchanting places on the island of Ireland. In the vastness of the expanse of the scene you really can't escape or hide from the elements. While on retreat at the Ballinglen Artists' Foundation I took daily walks at Lacken. The weather was broody and moody even in mid-Summer. Oftentimes, it felt like four seasons in one walk but even in perpetual motion there is always order in the natural world.   Oil on Canvas 45cm x 35cm in Slip Frame
  • Dun Briste, a significant stack of land was sliced clean off Downpatrick Head hundreds of years ago. Folklore has it, that it was our own St. Patick who separated the land with his crozier in consternation with a non-believer who was slow to sign up. Regardless of the tall tales, the sight of that stack of land in the midst of the wild sea and contemplating the gap between the landmasses can't but move a body.  The vastness of the scene is humbling but also an opportunity  - a jumping off point  - in which to make your own departure, your own interpretation of the landscape and life. Oil on Canvas 45cm x 35cm in Slip Frame  
  • While on residency at The Ballinglen Artists Foundation, I walked a lot on Lacken Strand. In 6-weeks I only ever met 2 other people on the lovely, long strand. During these walks, ideas would percolate - some good, some bad. It's hard to know in the solitude of a retreat if you're on the right track or veering off down (another) blind alley but the constancy of contemplation on these walks helped to refine the  body of work that is 'The Big Sky' . Most times on these walks I would document those thoughts in a notebook and it is these ramblings - thoughts and tangents - that underpin this love letter to the world from Lacken. Oil on Canvas 45cm x 35cm in Slip Frame
  • Mexican Odyssey

    4,950.00
    Mixed media 120cm x 100cm  
  • A Bird Set Free

    2,250.00
    I often say my work is best described as holding on and letting go. Letting go of all the doubt, fear and  notions and holding on for the good stuff to come through. This painting was years in the making – it just wouldn’t quit! I turned it to the wall for a while and then, one evening, it sort of painted itself. It was a time when I was attempting to close out my Mayo Lakes series but they kept turning up on the canvas. This is  a sort of swan-song to my Mayo Lakes series,  bridging the gap to The Big Sky collection that followed. It is, I think, about devotion –  redemption and renewal –about new beginnings and moving on to new, ancient landscapes.   Oil on canvas 100cm x 75cm in slip frame

     

  • Oil on Board 35cm x 30cm In slip frame ready to hang
  • Oil on canvas 90cm x 60cm Ready to hang in slip frame
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame    
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame
  • Oil on board 40cm x 40cm Ready to hang in slip frame
  • Oil on board 40cm x 40cm Ready to hang in slip frame
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame
  • Oil on board 40cm x 40cm Ready to hang in slip frame
  • Oil on  board 30cm x 30cm Ready to hang in slip frame
  • Oil on  board 30cm x 30cm Ready to hang in slip frame
  • Oil on  canvas 100cm x 120cm Ready to hang in slip frame  
  • Oil on  canvas 70cm x 50cm Ready to hang in slip frame
  • Oil on canvas 100cm x 70cm SOLD From ‘The Outliers’ collection, which marks ten years painting in Ireland, ‘On Solid Ground’ is a painting that is a reflection on and a distillation of 10 years of residencies and time out painting in Ireland. It was painted in my studio but brings together an amalgam of places that have bolstered, sustained and influenced my painting practice. In his book ‘The Outliers’, Malcolm Gladwell asserts that it takes 10,000 hours practise to master a skill. Some time during the past decade in Ireland, I have crossed over that threshold which has delivered me to this solid ground.  

     

  • Oil on canvas 100cm x 70cm SOLD Painted in a series of breathy layers, ‘A Second Coming – In Ciarraí’ was made while on residency in Cill Rialaig, in Kerry. It commemorates the life of a friend. My residency was in January when the world seemed slowly to begin again. From high up on Bolus Head during those short, moist days, I wondered how do we distinguish time and mark out days. Indeed, how do we capture the essence of a life – but in breaths. And so this painting was made slowly in lots of very loose layers. I wanted to paint like breath on glass – similar to the way weather, hovering between sea and sky, makes a ghostly impression over The Skelligs. The painting became a sum of it’s parts – lots of light layers which, when combined attempt to capture the essence of light and a life.    

     

  • Oil on canvas 100cm x 70cm Ready to hang in slip frame

     

  • Oil on canvas 100cm x 70cm Ready to hang in slip frame

     

  • Oil on canvas 50cm x 40cm Ready to hang in slip frame

     

  • Oil on canvas 50cm x 40cm Ready to hang in slip frame

     

  • Windrush

    625.00
    Oil on canvas 46cm x 36cm Ready to hang in slip frame

     

  • Oil on canvas 30cm x 22cm Ready to hang in slip frame

     

  • Oil on canvas 40cm x 40cm Ready to hang in slip frame

     

  • Oil on canvas 120cm x 100cm SOLD   The Outliers is the culmination of 10 years painting here in Ireland. It is from my first studio collection, that is –the first collection I have made from my studio rather than in response to a particular residency. It’s a reflection of 10 years of residencies and time out painting in Ireland, an amalgam of places I’ve painted – and a sort of hybrid of influences. By definition, an outlier is ‘is an observation point that is distant from other observations’. I like to think of the outliers as an outcrop of  mythical islands just beyond my imagination – a sort of painting odyssey – a sort of unreachable destination I am happily propelling myself towards and constantly striving to capture.

     

  • Oil on canvas 20cm x 20cm Ready to hang in slip frame

     

  • Oil on canvas 20cm x 20cm Ready to hang in slip frame

     

  • Oil on canvas 20cm x 20cm Ready to hang in slip frame

     

  • Oil on canvas 45cm x 35cm Ready to hang in slip frame After many years traveling and living overseas. It is a constant comfort to feel 'at home' in Ireland. It is a place for my heart to rest.  
  • Oil on canvas 45cm x 35cm Ready to hang in slip frame I am not a strong swimmer (and a terrible surfer!) but anyhow - I love to do both - there is a feeling being in or on the sea that thrills and renews me at a cellular level. It is one of my favourite happy places!  
  • Oil on canvas 45cm x 35cm Ready to hang in slip frame I was lucky to spend many of my childhood Summers in Wexford. This past Summer I spent a lovely week in Rosslare and was delighted to note the magic is still as magnificent when walking at low tide on moon lit nights.    
  • Oil on canvas 45cm x 35cm Ready to hang in slip frame While on a fellowship at The Ballinglen Arts Foundation at the beginning of this year, I used to walk the shoreline at sunset. Most usually I was alone on the beach with my thoughts and it was a lovely opportunity to exercise my mind and body. It occurred to me  late on one of those evenings how the sea is so soothing - inhaling and exhaling in a rhythm as it does. Funny to get to my age before realising how the sea shows us how to breathe.  
  • Oil on canvas 45cm x 35cm Ready to hang in slip frame The back strand at Lacken in North Mayo is one of the most breath-taking places I have ever been. It's wide and long and surrounded by huge, high dunes. In the early part of the year, a breeze blows directly across the beach creating gentle gusts of sand - it feels otherworldly and a bit magical - as if for a few moments you are suspended between worlds,  neither holding on or letting go.  
  • Oil on canvas 45cm x 35cm Ready to hang in slip frame This collection has felt very much like a bunch of songs of praise to the shoreline and the magic, renewable energy of nature. This was painted after listening to Jack Lukeman's song - Magic Days & Magic Ways - a really lovely, hopeful tune - listen to it HERE.  
  • Oró, Oró

    645.00
    Oil on canvas 45cm x 35cm Ready to hang in slip frame Oró, Oró was painted while on a painting fellowship at The Ballinglen Foundation in North Mayo.  While walking along the shoreline in Ballycastle the tune deeply embedded in every Irish childhood psyche  - 'Oró se do bheatha bhaile' - came free in my mind. It is traditionally a rallying call but always to my mind - conjured up the image of rowing across waves, homewards. It heralded (to me!) a new way of painting, that felt much like being on the crest of a wave with home in sight.  
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame I was fortunate to walk some of the Camino de Santiago trail earlier this year. It was wonderful - lovely clear seascapes and plenty of sunny times. I think I brought back some of the blue with me as it magic-ed it's way into my work for some time afterwards. As did this determined figure - a pilgrim who seemed to forge forward in faith - sure of just rewards.
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame Suaimhneas is the Irish word for tranquility or relaxation - to be at peace. In recent times it has come to be associated with mindfulness and being aware of ones surroundings. Eitherway, being tranquil or mindful - the sea is always a balm to me. **Now Available As A Limited Edition Print HERE**
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame There is a moody, broodiness to the Mayo landscape - sometimes one can feel almost between worlds. I have heard it said 'the veil is thin' there - as if our ancestors are close by. I take this to be a comfort, and maybe a guiding hand that leads me and my work onwards.
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame This painting is another song of praise, an ode to the sea as it renews, invigorates and keeps us buoyant - leading us homewards.
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame There is a motion in the ocean that helps - I think - to move forwards out of 'stuckness' and  onwards. The constancy of the sea and holding on and letting go are a constant theme for me.  
  • Contentment

    645.00
    Oil on canvas 40cm x 40cm Ready to hang in slip frame Another of my happy places! This was painted in my studio but harks back to happy times close to the boglands in Ciarraí. It is, in recent years, a contentment to me to take inspiration out in the landscape before incorporating it into the rhythm of a studio schedule. For a long time, I felt perpetually on residency - out in some landscape or other, it was enchanting but often unsettling. Now a new studio rhythm feels an enhancement, an orderly way to tap into influences and mine memories.    
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame Some paintings make themselves. This ones was made on a painting fellowship at the Ballinglen Arts Foundation and seemed to bring my work onwards - in a sure way, forwards - towards new paintings I wanted to make. Which is just as well as the felt the path behind had fallen away.
  • Oil on canvas 40cm x 40cm Ready to hang in slip frame As an Irish landscape painter, I have great reverence towards (and am inspired by) our great history in the field.  As islanders, the Sea is a constant theme in Irish art - we are steeped in it - literally and figuratively. It is very much a part of us. It is important to me to reference the Sean Nós (The Old Ways) while progressing my own work and I felt this painting went someway to creating an accommodation between both.  
  • Oil on canvas 25cm x 25cm Ready to hang in slip frame Sometimes the littlest paintings have more than their fair share of magic. This one was painted in about 50 layers and I was just about to give up when it presented itself, like a secret kingdom - just beyond our imagination.
  • Oil on canvas 25cm x 25cm Ready to hang in slip frame This painting was made in many layers and took me on a bit of a journey. It was inspired by Bic Runga's song - of the same title - Everything is beautiful and new. Listen to it HERE. The song was inspired by Bic's first-time motherhood - the enchantment,  fragility  and wonder of the new. It's appropriate to any journey - that is challenging, a personal stretch but ultimately a happy song.
  • Oil on canvas 25cm x 25cm Ready to hang in slip frame Another painting made in many, many layers - often the smaller ones have that way about them. This painting was in itself an enchantment. I loved making it - as it seemed to form itself over many layers. It puts me in mind of salmon skies and Summer nights, striding homewards through high grasses not far from the sea.
  • Oil on canvas 76cm x 51cm Ready to hang in slip frame Mayo has some magic places, DownPatrick Head being a case in point. It's the edge of Ireland and not for the faint-hearted. The sea lashes it for much of the time - making for dramatic sea spray and the foamiest, thundering current but then at other times it is all calm - like at day break when the sun steals its way in silence into the sky. The stormy times are not forgotten, but behind us now as we begin again.  
  • At Valentia

    2,550.00
    Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame I am a fan of islands but despite having spent much of my painting time in Ciarraí, I have only recently started to document Valentia island.  I love the sea-crossing - short as it is - and Bray Head, and the lapping water at ever side. I love too that you can go way, way high up and low down again into the sea. This is one of my first paintings from this place - it was made following a stormy Summers crossing.
  • Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame The sea adjoining Ciarraí can often catch colours of the tropics - turquoise and fizzy greens that don't quite match our inky skies. I have been greatly infleunced by Sorolla this past year - visiting his studio in Madrid and seeing his shows in London and Dublin. I wonder how he might have painted our sea - with all the drama but not so much sun, I imagine the Spaniard may have had much to say in paint.
  • Oil on canvas 40" x 30" (i.e. 102cm x 76cm) Ready to hang in slip frame Valentia Island - as a location - had a pivotal and pioneering role in transatlantic communications. I find walking alone the shoreline and swimming very inspiring - it so often translates into my work. While I find abundance in the waves, it makes me think Marconi must have had a magic, marvelous mind to see so much potential beyond those waves.
  • Oil on canvas 100cm x 70cm Ready to hang in slip frame This painting was inspired by a night walk along the shoreline. There is quite a bit of gold in this painting - a departure for me - that I think captures the otherworldliness of the sea at night-time.
  • Oil on canvas 100cm x 70cm Ready to hang in slip frame  
  • Oil on canvas 125cm x 112cm This large painting happened immediately after I had taken a short holiday in Rosslare last Summer. It was such a lovely little holiday - I had spent most of my childhood Summers in Wexford - so doing the 'borough' beach walk every morning felt - in someways like re-enchanting a long, held connection.  

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